9/19/2023 0 Comments Stock visual enhancementIt’s a more objective view of his story from a different character’s point of view.” Then the other is a black and white timeline. “One is in color, and that’s Oppenheimer’s subjective experience. “I knew that I had two timelines that we were running in the film,” Nolan said. Some of “Oppenheimer” is presented in black and white for a very specific story reason. WHY IS IT SHOT ON 65MM AND PROJECTED IN 70MM? On a technical level, the IMAX film resolution is almost 10 times more than a 35mm projector and each frame has some 18,000 pixels of resolution versus a home HD screen that has 1,920 pixels. Though it’s “just a helicopter shot” of some buildings in Chicago, it helps explain the ineffable power of the format. Nolan has been shooting with IMAX cameras since “The Dark Knight.” Audiences would regularly gasp at seeing its first shot projected in IMAX 70mm. You’re immersing them in the world of the film.” You’ve got a huge screen and you’re filling the peripheral vision of the audience. You’re getting a feeling of 3D without the glasses. “The headline, for me, is by shooting on IMAX 70mm film, you’re really letting the screen disappear. “The sharpness and the clarity and the depth of the image is unparalleled,” Nolan said. Like “ Dunkirk ” and “ Tenet,” “Oppenheimer” was filmed entirely on large format film stock, meaning a combination of IMAX 65mm and Panavision 65mm (think David Lean/"Lawrence of Arabia”), that’s then projected in 70mm. “Oppenheimer” was shot using some of the highest resolution film cameras that exist.
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